Abstract

Starting from an analysis of the various links constituting the cultural chain and through a historical contextualization of the « Top 40 » techniques set in place by the majors, the author shows that their intermediation has resulted in a state of artificial scarcity and in an acceleration of time . He then considers whether peer-to-peer connections and the current hunger for culture on the net are more likely to upset or to fuel the current logics at work in the cultural chain