Between Pleasure and Horror: Watching Mel Gibson's The Passion of the Christ

Dances of Death: Self-Sacrifice and Atonement.Bruce R. Reichenbach - 2004 - In Jorge Gracia (ed.), Mel Gibson’s ’Passion’ and Philosophy: The Cross, the Questions, the Controversy. Chicago: Open Court. pp. 190-203.

Christ's Atonement: Washing Away Human Sin.Jerry L. Walls - 2004 - In Mel Gibson’s ’Passion’ and Philosophy: The Cross, the Questions, the Controversy. Open Court.

Horror, tragedy and pleasure: The general theory of horrific appeal.Nol Carroll - 2003 - In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press.

Cognitive and Philosophical Approaches to Horror.Aaron Smuts - forthcoming - In Harry Benshoff (ed.), Blackwell Companion to the Horror Film. Blackwell.

Horror and Mood.Andrea Sauchelli - 2014 - American Philosophical Quarterly 51 (1):39-50.

Dualism, Physicalism, and the Passion of the Christ.Joungbin Lim - 2010 - Proceedings of the Xxii World Congress of Philosophy 45:185-197.

Horror.Aaron Smuts - 2008 - In Paisley Livingston & Carl Plantinga (eds.), Routledge Companion to Philosophy and Film.

The Focus of The Passion Puts the Person of Jesus Out of Focus.Charles Taliaferro - 2004 - In Mel Gibson’s ’Passion’ and Philosophy: The Cross, the Questions, the Controversy. Open Court.

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