Abstract

In suggesting that its last chapter’s purpose is to provoke the reader to begin reconsidering and thus rereading the book they have just read, this article attempts to negotiate the interpretive quarrel as whether Xenophon’s Cyropaedia deserves a “sunny” reading—in which Cyrus straightforwardly embodies Xenophon’s own political ideals—or a more critical “dark” one, that separates the author from his protagonist. To help us get the most advantage from the paideia his book was intended to provide, Xenophon made a “sunny” first reading plausible, but he also sowed in his text the kind of clues—especially with respect to pleonexia—that would reveal his full intentions only to those who reread his book.