Aristotle’s account of kingship in Politics 3 responds to the rich discourse on kingship that permeates Greek political thought (notably in the works of Herodotus, Xenophon and Isocrates), in which the king is the paradigm of virtue, and also the instantiator and guarantor of order, linking the political microcosm to the macrocosm of the universe. Both models, in separating the individual king from the collective citizenry, invite further, more abstract thought on the importance of the king in the foundation of (...) the polity, whether the king can be considered part of, or separate from, the polis, and the relationship between polis and universe. In addressing these aspects of kingship theories, Aristotle explores a ‘metaphysics of monarchy’, part of the long-running mereological problem of parts and wholes in the construction of the polis, and connecting his account of kingship to his thought on citizenship and distributive justice within the polis. (shrink)

This book examines how ancient authors explored ideas of kingship as a political role fundamental to the construction of civic unity, the use of kingship stories to explain the past and present unity of the polis and the distinctive function or status attributed to kings in such accounts. -/- It explores the notion of kingship offered by historians such as Herodotus, as well as dramatists writing for the Athenian stage, paying particular attention to dramatic depictions of the unique capabilities of (...) Theseus in uniting the city in the figure of the ‘democratic king’. It also discusses kingship in Greek philosophy: the Socratics’ identification of an ‘art of kingship’, and Xenophon and Isocrates’ model of ‘virtue monarchy’. In turn, these allow a rereading of explorations of kingship and excellence in Plato’s later political thought, seen as a critique of these models, and also in Aristotle’s account of total kingship or pambasileia, treated here as a counterfactual device developed to explore the epistemic benefits of democracy. -/- This book offers a fascinating insight into the institution of monarchy in classical Greek thought and society, both for those working on Greek philosophy and politics, and also for students of the history of political thought. (shrink)

This paper examines the relationship between the political thought of Plato and Xenophon, by positioning both as post-Socratic political theorists. It seeks to show that Xenophon and Plato examine similar themes and participate in a shared discourse in their later political thought, and in particular, that Plato is responding to Xenophon, with the Statesman exploring similar themes to Xenophon’s Cyropaedia, which itself responds to sections of Plato’s Republic. Both writers explore the themes of the shepherd king and the kairos as (...) attributes of the excellent leader, and both use temporality and political ontology to do so. (shrink)

This paper explores the political thought and literary devices contained in the pseudo-PlatonicEighth Letter, treating it as a later response to the political thought and literary style of Plato, particularly the exploration of the mixed constitution and the mechanisms for the restraint of monarchical power contained in theLaws. It examines the specific historical problems of this letter, and works through its supposed Sicilian context, its narrator's assessment of the situation, and the lengthy prosopopoeia of the dead Syracusan politician Dion, before (...) concluding with a consideration of its contribution to our knowledge of Greek political thought after Plato. (shrink)

Plato’s survey in Laws book 3 of the development of human society from its earliest stages to the complex institutions of democratic Athens and monarchical Persia operates both as a conjectural history of human life and as a critical engagement with Greek political thought. The examples Plato uses to illustrate the stages of his stadial account, such as the society of the Cyclops and the myths of Spartan prehistory, are those used by other political theorists and philosophers, in some cases (...) also drawing on the presence of the same stories in classical Greek epic and tragedy. By incorporating his critique into a timeline Plato is able to suggest that some approaches are limited in scope to specific social conditions, whereas his Athenian Stranger presents his analysis from an external and superior viewpoint, looking down on human society from above. (shrink)