Cine-Dispositives: Essays in Epistemology Across Media

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Amsterdam: Amsterdam University Press (2015)
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Abstract

This collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives – the Foucauldian concept of a strategic and technical configuration of practices and discourses. A particular goal is to confront points of view and perspectives in the contexts of the rise and spread of new technologies, changes that are altering the boundaries and spaces of cinema and that thus demand new analysis and theoretisation.

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PN1995.C56 2015

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9789089646668   9089646663
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Chapters

Archaeology and spectacle: old dispositives and new objects for surprised spectators stopping by the museum.Viva Paci
Between knowing and believing: the cinematic dispositive after cinema.Thomas Elsaesser
Between paradoxical spectacles and technical dispositives: looking again at the (Serpentine) dances of early cinema.Laurent Guido
Dispositive and cinepoetry, around Foucault's Death and the Labyrinth.Christophe Wall-Romana
Forms of machines, forms of movement.Benoít Turquety
Marey and the synthesis of movement.Maria Tortajada
Notes on the Bergsonian cinematograph.Elie During
On some limitations of the definition of the dispositive "Cinema".André Caudreault
Reality television as dispositive: the case of French-speaking Switzerland.Charlotte Bouchez
The "Dispositive Effect" in film narrative.Philippe Ortel
The amateur-dispositive.Franc̦ois Albera
The dispositive does not exist!Franc̦ois Albera & Maria Tortajada
The moment of the "Dispositif".Omar Hachemi
The social imaginary of telephony: fictional dispositives in Albert Robida's Le Vingtième Siècle and the archeology of "Talking Cinema".Alain Boillat
The steropticon and cinema: media form or platform?Charles Musser
Two versions of the television dispositive.Gilles Delavaud
You do not ever know where you are" : dispositive and dizziness.Patrick Désile

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