In 1983, two philosophers, Michel Foucault and Peter Sloterdijk, engaged with ancient Cynicism and the outspokenness and laughter of Diogenes as a critical practice. Foucault and Sloterdijk did so to position themselves ‘after’ critique: ‘after’ a period of and ‘beyond’ a certain style of dogmatism and theoretical deadlocks that troubled left thinking in the early 1980s (and continue to do so today). I show how Foucault and Sloterdijk, while differing in their critical politics, both read Diogenes’ politics of truth as (...) radical subversive otherness. While Diogenes performed this antagonizing critique from a subaltern position, his politics nevertheless risked ending up in a self-righteous intransigence to know the truth. As an alternative, I turn to another politics of laughter in Hellenistic philosophy, that of the Thracian Maid, and its sceptical impulse that is situated ‘before’, ‘beyond’ and ‘after’ critique in the space of what Hans Blumenberg calls Nachdenklichkeit (pensiveness). (shrink)