Although the importance of the concept of immersion in game studies is indisputable, its meaning remains imprecise and ambiguous. My goal here is to develop a phenomenological clarification of this concept. I begin by clarifying how immersion has been understood in game studies. I further contend that immersion in digital games should be recognized as one modality of immersion among others. This basic realization allows one to open a dialogue between game studies and phenomenology. I develop a phenomenological conception of (...) immersion, which relies on Alfred Schutz’s phenomenology of multiple realities and Theodor Conrad’s phenomenology of immersion. Although such an approach provides us with a general conception of immersion, it does not clarify what specific features characterize immersion in digital games. I argue that this form of immersion is a hybrid phenomenon, which shares certain features with immersion in non-digital games and other features with immersion in other types of digital media. I further demonstrate that immersion in digital games is characterized by a specific function of embodiment. With this in mind, I conclude my analysis by introducing a phenomenologically grounded distinction between actual and virtual embodiment, thereby clarifying in which sense immersion in digital games is an embodied and a disembodied experience. (shrink)

This thesis explores what an aesthetic judgment would be if we take existence to be non-duallyinterconnected. Interconnectedness and aesthetic judgment does not seem to be compatible becauseaesthetic judgment seems to depend on, at least, the dualism of the beautiful and the ugly and that ofsubject and object. In contrast, interconnectedness can not accept these dualisms.Zen philosopher Dōgen provides a non-dually interconnected framework that allows for aestheticjudgments in an interconnected view of existence. Zen philosophy concludes that we can both havedualism and (...) non-dualism and that the ideas do not cancel each other out but deal with differentaspects of existence. Dualism with a centric view where existence is viewed from a standpoint andthus is restricted by a perspective, and enlightenment, where existence is perceived non-duallyinterconnected, can coexist. Because Aesthetic judgments are dependent on dualism, they must takeplace on the centric plane of existence. However, because, in enlightenment, everything is seen asBeautiful, it can not reveal much about an object’s beauty. Instead, the aesthetic judgment revealssomething about the standpoint taken in judgment. In light of this reformulation of the meaning ofaesthetic judgments, aesthetics will become phenomenological no matter if you deal with howcentric or enlightened ways of existence reveal themselves. Whether your focus is on aestheticjudgments, appreciation, or artistic practice, you will always deal with aesthetic experiences. (shrink)