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  1. Eros and Sensation: Art and Aesthetics in Emmanuel Levinas’s Prison Notebooks.Jussi Pentikäinen - 2023 - Journal of Aesthetics and Phenomenology 9 (1):31-45.
    The release of Emmanuel Levinas’s Prison Notebooks (Carnets de captivité) as a part of the first tome of his collected works has further illuminated the extent of the philosopher’s preoccupation with art, especially literature. Levinas’s own literary efforts have been well documented, but less attention has been paid to the relationship between the Prison Notebooks and Levinas’s early philosophy of art. In this article, I suggest that much of what Levinas has to say apropos art in his early philosophy can (...)
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  • ‘The Passion of Israel’: the True Israel According to Levinas, or Judaism ‘as a Category of Being’.Michael Fagenblat - 2015 - Sophia 54 (3):297-320.
    Across four decades of writing, Levinas repeatedly referred to the Holocaust as ‘the Passion of Israel at Auschwitz’. This deliberately Christological interpretation of the Holocaust raises questions about the respective roles of Judaism and Christianity in Levinas’ thought and seems at odds with his well-known view that suffering is ‘useless’. Basing my interpretation on the journals Levinas wrote as a prisoner of war and a radio talk he delivered in September 1945, I argue that his philosophical project is best understood (...)
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  • Where Nothing Happened: The Experience of War Captivity and Levinas’s Concept of the ‘There Is’.Johanna Jacques - 2017 - Social and Legal Studies 26 (2):230-248.
    This article takes as its subject matter the juridico-political space of the prisoner of war (POW) camp. It sets out to determine the nature of this space by looking at the experience of war captivity by Jewish members of the Western forces in World War II, focusing on the experience of Emmanuel Levinas, who spent 5 years in German war captivity. On the basis of a historical analysis of the conditions in which Levinas spent his time in captivity, it argues (...)
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