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  1. Perspectives on Living and Thinking Vectors of the Anthropocene.Melentie Pandilovski - 2022 - Foundations of Science 27 (2):573-580.
    Helena De Preester’s “Subjectivity and Transcendental Illusions in the Anthropocene” aims to rethink fundamentally the human–technology relationship against the backdrop of the Anthropocene. Essentially, the essay is concerned with the current form of subjectivity that characterizes humankind in the Anthropocene, and analyzes how it embeds knowledge, desire and behavior. De Preester indeed succeeds in creating a potent and engaging reflection on the current form of human subjectivity characteristic for the age of the Anthropocene, by referring to Vilém Flusser’s apparatuses, McKenzie (...)
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  • New and Speculative Organisational Aesthetics.Adam Dzidowski - unknown
    The paper attempts to raise the question whether human perception is still central to organisational aesthetics, especially if we start to give a stakeholder position to artificial systems and when organisational designs and processes have ceased to rely only on human agency. Algorithmically driven, autonomous agents like high-frequency trading, already exist and are acting within the timeframes and space that are unreachable for human perception. All that calls for serious consideration whether emerging philosophical trends, such as Speculative Realism, Object-Oriented Ontology, (...)
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  • The Fantasy of Mind-Uploading. Defaults and the Ends of Junk.Adrian Mróz - 2021 - Kultura I Historia 39 (1).
    From a behaviorist perspective, the desire to upload “minds” is already being realized on a mass, hyper-industrial scale thanks to the convergence of cognitive computing and Big Data. The accusation is that the “mind” is not an entity that exists intracranially. Instead, it is conceived as a process of individuation, which occurs in different modes and numbers. Some narratives of mind-uploading and technics in popular culture are explored: Transcendence (2014, dir. Wally Pfister) and Player Piano by Kurt Vonnegut. The discussed (...)
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  • Der maskierte Mensch: Vom Subjekt zum Projekt in der Stimmung des Orgasmus.Pierre-Carl Link & Ramona Eck - 2016 - Flusser Studies 22 (1).
    This article starts from the assumption that Heidegger’s notion of Geworfenheit can be overcome through alternative design or projection of human beings. Designing the body has so far received little attention within the research on Vilém Flusser. The essay begins with a discussion of bodily design moving on to an examination of sexual coitus and orgasm. Human re-invention is depicted in terms of sexual design, by assuming, in accordance with Flusser, a kind of sex, which is entirely independent of procreation (...)
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