Vilém Flusser was born in Prague. He emigrated to Brazil, where he taught philosophy and wrote a daily newspaper column in Sao Paulo, then later moved to France. He wrote several books in Portuguese and German. Writings, Into the Universe of Technical Images, and Does Writing Have a Future? have been published by the University of Minnesota Press, and the Shape of Things, Towards a Philosophy of Photography, and The Freedom of the Migrant have also been translated into English.

Bec explores the significance of gestures in Flusser’s work, linking them to Flusser’s writing activity as well as to Flusser himself. Through his gestures, his gesticulating, he moved to move others. The world manifests itself in gestures. New gestures may appear, influencing and changing how we relate to reality. The new gestures of photographing, filming, and videotaping will alter our ways of existence in that they anticipate a new cybernetic form of life.

Vampyroteuthis infernalis is perhaps the most important, certainly the most public, result of Bec’s and Flusser’s collaboration that lasted for more than fifteen years. Bec here presents the starting points of the publication and what the different zoosystemic plates included were supposed to signal. Each one of the abysmal creatures invented by Bec is supposed to mirror a different aspect of Flusser’s thinking.