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  1. An Arendtian Reading of Antigone: Tyrrany Emerging from Righteousness.Efe Basturk - 2022 - Problemos 101:66-78.
    The aim of this article is to investigate the tyrannical similarity between Antigone and Creon through Hannah Arendt’s political philosophy. As Arendt claimed, tyranny firstly signals the end of the political through which men can share their natality. The very meaning of tyranny is the domination by absoluteness that ends deliberation among mortal beings. Antigone only focuses on the divine law, which is seen as absolute righteousness that precedes the law of the city, and so, she tends to ignore any (...)
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  • Odysseus and the concept of “nobility” in Sophocles' "Ajax" and "Philoctetes".Elodie Paillard - 2020 - AKROPOLIS: Journal of Hellenic Studies 4:65-84.
    The article shows that Odysseus in Sophocles’ _Ajax_ and _Philoctetes_ is at the centre of a redefinition of the concept of “nobility”. This figure has been seen to promote a new definition of the concept, but previous analyses tended to focus only on one or the other of the two plays, as Odysseus appeared too dissimilar to be considered from the same viewpoint. A closer analysis reveals that he defends the same values and is endowed with the same non-élite features (...)
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  • Tiempo trágico: Estructura anular Y esquemas mistéricos en Los cantos corales de antígona de sófocles.Santiago Hernández Aparicio - 2018 - Argos 42:e0007.
    En el presente artículo nos proponemos reconocer y analizar el uso de la técnica de la ring-composition o estructura anular en los cantos corales de Antígona de Sófocles en relación con los elementos de los cultos eleusino y dionisíaco que atraviesan la obra. Nuestra hipótesis consiste en que, lejos de ser un factor de mera articulación formal, la ring-composition cumple con una función dramática pues cohesiona, con su juego de paralelismos, las alusiones a los misterios con el fin de presentar (...)
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