This article is an attempt to revise and extend two prior conceptions: Adorno and Horkheimer’s dialectic of Enlightenment and Murphy and Robert’s dialectic of Romanticism. It traces a developmental trajectory within German Kultur, starting around the mid-18th century, that goes through three moments or phases: the Grecophilia of Goethe and Schiller, the Grecomania of Hölderlin, Schelling and early Hegel, and the Grecogermania of Wagner, Nietzsche and Heidegger. The latter provided the ideological underpinning of Hitler’s Nazism. Thus the paper aims to (...) show that Nazism had deep roots within the soil of German Kultur, for almost from the very start Classicism and anti-Semitism were integral aspects of the one cultural movement. Furthermore, this movement was the one surrogate form of a Neo-Pagan and anti-Christian trend in German modernity. (shrink)

The article reviews the social theory of Harry Redner with particular reference to his view of the relationship between high literacy (book culture) and civilization. The question is posed whether, alongside book culture, an axial-type metaphysical culture is also key to the definition of civilization.

Daniel Bell’s The Cultural Contradictions of Capitalism lies at the intersection of the three main theoretical currents of sociological thought, those of Karl Marx, Émile Durkheim and Max Weber. His ‘three realms’ methodology moves away from deterministic accounts that subordinate the political and cultural to the economic realm. By granting each realm an autonomy and principles of their own, Bell locates the contradictions of capitalism in the friction between them. With constant innovation, individual expressiveness and libertarian social values becoming forces (...) in-and-of-themselves, prevailing social structures and the roles within them are left looking increasingly incoherent, illegitimate and meaningless. Likewise, the shift from Protestant asceticism to modernist hedonism creates a sharp tension between the demand for a disciplined and responsible workforce and the demand for economic growth through unrestrained and instantly gratifying consumerism. The result is a complex of crisis scenarios which were manifest with the end of the post-war boom. However, as other commentators have pointed out, Bell’s prophetic theses often seem to fail under the light of subsequent history. (shrink)

Daniel Bell’s The Cultural Contradictions of Capitalism lies at the intersection of the three main theoretical currents of sociological thought, those of Karl Marx, Émile Durkheim and Max Weber. His ‘three realms’ methodology moves away from deterministic accounts that subordinate the political and cultural to the economic realm. By granting each realm an autonomy and principles of their own, Bell locates the contradictions of capitalism in the friction between them. With constant innovation, individual expressiveness and libertarian social values becoming forces (...) in-and-of-themselves, prevailing social structures and the roles within them are left looking increasingly incoherent, illegitimate and meaningless. Likewise, the shift from Protestant asceticism to modernist hedonism creates a sharp tension between the demand for a disciplined and responsible workforce and the demand for economic growth through unrestrained and instantly gratifying consumerism. The result is a complex of crisis scenarios which were manifest with the end of the post-war boom. However, as other commentators have pointed out, Bell’s prophetic theses often seem to fail under the light of subsequent history. (shrink)