The ability to think of something not presently perceived, but spatio-temporally real. (2) The ability to think of whatever one acknowledges as possible in the spatio-temporal world. (3) The liability to think of something that the subject believes to be real, but which is not. (4) The ability to think of things that one conceives of as fictional. (5) The ability to entertain mental images. (6) The ability to think of anything at all. (7) The non-rational operations of the mind, (...) that is, those explicable in terms of causes rather than reasons. (8) The ability to form perceptual beliefs about public objects in space and time. (9) The ability to sensuously appreciate works of art or objects of natural beauty without classifying them under concepts or thinking of them as useful. (10) The ability to create works of art that encourage such sensuous appreciation. (11) The ability to appreciate things that are expressive or revelatory of the meaning of human life. (12) The ability to create works of art that express something deep about the meaning of life. (shrink)

The notion of experience plays a deeply ambiguous role in philosophical thinking. In ordinary discourse we say that applicants for employment as joiner, farmhand or nanny should have some previous experience with carpentry, livestock or children. Such uses of the word clearly presuppose the existence of the relevant objects of experience. In other usages the focus is more on the mental effect on the subject, as when someone says that they have had several unpleasant experiences that day–a wetting in a (...) thunderstorm, an altercation with a traffic warden, and a long wait at the station. (shrink)

The notion of experience plays a deeply ambiguous role in philosophical thinking. In ordinary discourse we say that applicants for employment as joiner, farmhand or nanny should have some previous experience with carpentry, livestock or children. Such uses of the word clearly presuppose the existence of the relevant objects of experience. In other usages the focus is more on the mental effect on the subject, as when someone says that they have had several unpleasant experiences that day–a wetting in a (...) thunderstorm, an altercation with a traffic warden, and a long wait at the station. (shrink)