The last two decades have seen a welcome erosion of traditional dogmas of Alexander scholarship, and a number of hallowed theories, raised on a cushion of metaphysical speculation above the mundane historical evidence, have succumbed to attacks based on rigorous logic and source analysis. The brotherhood of man as a vision of Alexander is dead, as is the idea that all Alexander sources can be divided into sheep and goats, the one based on extracts from the archives and the other (...) mere rhetorical fantasy. One notable theory, however, still flourishes and has indeed been described as one of the few certainties among Alexander's aims. This is the so-called policy of fusion. As so often, the idea and terminology go back to J. G. Droysen, who hailed Alexander's marriage to Rhoxane as a symbol of the fusion of Europe and Asia, which the king recognised as the consequence of his victory. At Susa the fusion of east and west was complete and Alexander, as interpreted by Droysen, saw in that fusion the guarantee of the strength and stability of his empire. Once enunciated, Droysen's formulation passed down the mainstream of German historiography, to Kaerst, Wilcken, Berve and Schachermeyr, and has penetrated to almost all arteries of Alexander scholarship. Like the figure of Alexander himself the theory is flexible and capable of strange metamorphoses. In the hands of Tarn it developed into the idea of all subjects, Greek and barbarian, living together in unity and concord in a universal empire of peace. The polar opposite is an essay of Helmut Berve, written in the heady days before the Second World War, in which he claimed that Alexander, with commendable respect for Aryan supremacy, planned a blending of the Macedonian and Persian peoples, so that the two racially related Herrenvölkerwould lord it over the rest of the world empire. On Berve's interpretation the policy had two stages. Alexander first recognised the merits of the Iranian peoples and placed them alongside the Macedonians in his court and army hierarchy. Next came the ‘Blutvermischung’, the integration of the two peoples by marriage. (shrink)

Scholarly opinion about Ptolemy Soter's history of Alexander has been far from unanimous. Not long ago Ptolemy was held to stand in the first rank of ancient historians. His history was described as brilliant, rational, straightforward, and exhaustive, while he himself was proclaimed a ‘second Thucydides’. In recent years, however, Ptolemy's reputation has seriously declined. His shortcomings, acknowledged also by his admirers, have been stressed and extensively analysed. Fritz Schachermeyr clearly reflected current opinion when he equated a ‘version from the (...) Hauptquartier's circles’ with a lie, a fraud, and an intentional omission. The purpose of this paper is to examine the recent reassessment of the nature and the aims of Ptolemy's work. (shrink)

La obra de Francisco Rodríguez Adrados_, La democracia ateniense_, fue canónica desde la fecha de aparición, en la segunda fase del tardofranquismo y en su edición final hacia el final de la dictadura. El presente trabajo analiza, primero, sus bases ideológicas; segundo, la priorización del comentario de textos y de las herramientas de la filología en el análisis histórico, es decir, el _textocentrismo _de la obra, y apunta los límites y logros del helenista español. Nuestra lectura se fundamenta en un (...) análisis textual y contextual. Explora la elección de las fuentes principales del análisis de Adrados, el impacto de la filología e historiografía alemanas decimonónicas y de la primera mitad del XX, y examina su concepción de la historia, los logros, innovaciones y su lectura de la democracia ateniense, a caballo entre una visión progresista y crítica de las limitaciones de la misma, en comparación con las democracias representativas. Se considera la formación y la configuración del campo de la filología clásica en España en el franquismo en el marco de la posguerra y cómo todo ello marcó _La democracia ateniense_, una obra seminal surgida de una forma de escolástica creativa. (shrink)