By definition, pain is a sensory and emotional experience that is felt in a particular part of the body. The precise relationship between somatic events at the site where pain is experienced, and central processing giving rise to the mental experience of pain remains the subject of debate, but there is little disagreement in scholarly circles that both aspects of pain are critical to its experience. Recent experimental work, however, suggests a public view that is at odds with this conceptualisation. (...) By demonstrating that the public does not necessarily endorse central tenets of the “mental” view of pain (subjectivity, privacy, and incorrigibility), experimental philosophers have argued that the public holds a more “body-centric” view than most clinicians and scholars. Such a discrepancy would have important implications for how the public interacts with pain science and clinical care. In response, we tested the hypothesis that the public is capable of a more “mind-centric” view of pain. Using a series of vignettes, we demonstrate that in situations which highlight mental aspects of pain the public can, and does, recognize pain as a mental phenomenon. We also demonstrate that the public view is subject to context effects, by showing that the public’s view is modified when situations emphasizing mental and somatic aspects of pain are presented together. (shrink)

Philosophers often assume that folk hold pain to be a mental state – to be in pain is to have a certain kind of feeling – and they think this state exhibits the classic Cartesian characteristics of privacy, subjectivity, and incorrigibility. However folk also assign pains (non-brain-based) bodily locations: unlike most other mental states, pains are held to exist in arms, feet, etc. This has led some (e.g. Hill 2005) to talk of the ‘paradox of pain’, whereby the folk notion (...) of pain is inherently conflicted. Recently, several authors have rejected the paradox view, arguing instead that folk hold a univocal, bodily view (i.e. pains are properties of various body parts, not of minds). This paper presents six objections to the bodily view of the folk concept of pain. We then outline a direction for future research – the ‘polyeidic approach’ – whereby the folk notion of pain is held to encompass various divergent (potentially conflicting) strands and we suggest that certain problems surrounding the treatment and communication of pain might be usefully be viewed through the lens of the polyeidic approach. (shrink)

Choix d’articles. By Gérard Fussman. Edited by Denis Matringe, Éric Ollivier, and Isabelle Szelagowski. École française d’Extrême-Orient, Réimpressions no. 14. Paris: École Française d’Extrême-Orient, 2014. Pp. 598. €40.

Studies of the form and textual history of various Buddhist texts show that they tend to undergo three types of developmental processes. First, some texts, especially verse compilations, are expanded by the insertion of pattern variants, sometimes at great length. Second, shorter texts such as sūtras are prone to be absorbed into larger compilations and thus lose their status as independent texts. Third, voluminous texts sometimes come to be represented in manuscripts in abbreviated forms, for example containing only the first (...) text unit, which are evidently considered to sufficiently represent the entirety of the text. These patterns are discussed with reference to texts such as the Udānavarga, Anavatapta-gāthā, and Mahāvastu, and on the basis of evidence from Sanskrit and Gāndhārī manuscripts. (shrink)

In a recent article in JAOS, Y. Bronner and L. McCrea presented cogent argu ments for the authenticity of the “nonbitextual” version of Śiśupāla’s speech in the fifteenth canto of Māgha’s Śiśupālavadha and concluded that the “bitextual” version of the passage, in which each verse could be read with a double meaning, was a later alteration. Whereas they discussed the issue on the basis of internal criteria, the present article approaches it by means of external comparison with its presumptive source (...) text in the Sabhā-parvan of the Mahābhārata. This analysis confirms Bronner and McCrea’s conclusion, while also raising some new issues and problems. Also discussed is the legacy of the popular, if unauthentic bitextual version in the Bhāgavata-purāṇa and its commentarial tradition. (shrink)

The Chhoti Sadri inscription of the Mānavāyaṇi king Gauri of Malwa is a most unusual specimen of a Sanskrit verse praśasti. Its remarkably poor Sanskrit has attracted the most attention, but its rhetorical structure is also quite abnormal. It is proposed here that such unusual features as the first person presentation and the fronting of subjects with demonstrative pronouns suggest a setting involving an actual, or perhaps only an imagined, presentation of a royal portrait gallery, such as are attested both (...) in Sanskrit literature and in Indian archaeology. (shrink)