The dynamic of changes in the rules in team games materialize from research and debate between experts and coaches before being implemented by the International Federations. In Handball, the last changes occurred in 2016, and one of them was to substitute the goalkeeper with an additional field player allowing teams to play “empty goal” while using the additional field player.This study aimed to analyze and characterize the use of the 7 vs. 6 strategical-tactical option for the attack in the 2020 (...) Men’s European Championship. We also analyzed whether the game time and partial score influenced the use of 7 vs. 6 and its efficiency. Observational methodology and a mixed ad hoc instrument combining field format and category systems validated by experts were used. Data were taken from 28 matches involving teams in the first 12 positions in the 2020 Men’s European Championship. The total number of offensive sequences in an organized attack method in 7 vs. 6 with an empty goal were analyzed. Sequential analysis techniques with lags, prospective and retrospective, and polar coordinate analysis were used. The results showed that these solutions had poor efficiency, except for the Portuguese National Team; teams using the 7 vs. 6 tactic option had no negative consequences or increased risk with the opponent response; partial score influenced the decision to use 7 vs. 6 strategic option, and game time was associated with 7 vs. 6 play options and detected patterns. (shrink)

In recent years, online “involuntary celibate” or “incel” communities have been linked to various deadly attacks targeting women. Why do these men react to romantic rejection with not just disappointment, but murderous rage? Feminists have claimed this is because incels desire women as objects or, alternatively, because they feel entitled to women’s attention. I argue that both of these explanatory models are insufficient. They fail to account for incels’ distinctive ambivalence toward women—for their oscillation between obsessive desire and violent hatred. (...) I propose instead that what incels want is a Beauvoirian “Other.” For Beauvoir, when men conceive of women as Others, they represent them as simultaneously human subjects and embodiments of the natural world. Women function then as sui generis entities through which men can experience themselves as praiseworthy heroes, regardless of the quality of their actions. I go on to give an illustrative analysis of Elliot Rodger’s autobiographical manifesto, “My Twisted World.” I show how this Beauvoirian model sheds light on Rodger’s racist and classist attitudes and gives us a better understanding of his ambivalence toward women. It therefore constitutes a powerful and overlooked theoretical alternative to accounts centered on objectification and entitlement. (shrink)

Here we discuss a “chromosome separation checkpoint” that might regulate the anaphase‐telophase transition. The concept of cell cycle checkpoints was originally proposed to account for extrinsic control mechanisms that ensure the order of cell cycle events. Several checkpoints have been shown to regulate major cell cycle transitions, namely at G1‐S and G2‐M. At the onset of mitosis, the prophase‐prometaphase transition is controlled by several potential checkpoints, including the antephase checkpoint, while the spindle assembly checkpoint guards the metaphase‐anaphase transition. Our hypothesis (...) is based on the recently uncovered feedback control mechanism that delays chromosome decondensation and nuclear envelope reassembly until effective separation of sister chromatids during anaphase is achieved. A central player in this potential checkpoint is the establishment of a constitutive, midzone‐based Aurora B phosphorylation gradient that monitors the position of chromosomes along the spindle axis. We propose that this surveillance mechanism represents an additional step towards ensuring mitotic fidelity. (shrink)

One of the key insights of Simone de Beauvoir’s The Second Sex is the idea that gender-based subordination is not just something done to women, but also something women do to themselves. This raises a question about ethical responsibility: if women are complicit, or actively implicated in their own oppression, are they at fault? Recent Beauvoir scholarship remains divided on this point. Here, I argue that Beauvoir did, in fact, ethically criticize many women for their complicity, as a sign of (...) what she called “bad faith”. I challenge recent accounts by Nancy Bauer and Manon Garcia, who both read Beauvoir as exonerating complicit women. According to this reading, women emerge as human “freedoms” within a social world where a “destiny” of inferiority is already prepared for them. Their self-subordination is then an inevitable product of acting in a patriarchal world. I argue, however, that this interpretation generates a crucial tension, leading Bauer and Garcia to call on women to stop being complicit, while also claiming they cannot avoid complicity. I propose instead a different interpretation, on which feminine complicity is often fueled by criticizable ethical attitudes that are far from inevitable. By revisiting Beauvoir’s notion of “bad faith”, I show that this account is compatible with recognizing the limitations imposed on women’s agency and I show that this feminist ethical criticism is itself an important part of a collective project of social transformation. (shrink)

Pretende-se nesse artigo articular as noções de ética e política às noções do Dizer e do Dito, em uma perspectiva muito sutil apresentada por Emmanuel Levinas, para demonstrar como o sentido do humano se inicia na ética e necessariamente se dirige à política, uma vez que, para esse autor, a filosofia tem que ir ao fato social. Essa articulação se torna possível pela noção de justiça presente em dois momentos do humano: o momento inicial do frente a frente do Eu (...) e do Outro ou ética e o momento em que a pluralidade se torna real pela presença do Terceiro, ou política. A preocupação levinasiana é, não só a de afirmar a primazia da ética em relação à política, no que diz respeito à ordem do acontecimento, mas também de demonstrar que a presença do Dizer original do frente a frente que se inscreve como exigência de justificativas para um Eu absoluto, deve permanecer na relação política, quando em sua impostação institucional a partir da Lei e do Estado pretenderem absolutizar-se em relação as demandantes da própria justiça. Assim, o Dito da Lei está sob os auspícios de um novo Dizer que pode destituir a razoabilidade daquele, exatamente pela presença de Terceiros, diferentes e não incluídos na ordem jurídica. A ordem politico-jurídica que em sua demora tem feições ontológicas, quando não se abre para o Dizer perene, pode tornar-se ordem violenta, tal qual a ordem que prepondera no fenômeno da guerra. O sentido do humano, segundo Levinas está na démarche da relação dual do frente a frente à multiplicidade das relações políticas alicerçadas na noção de justiça como exigência de justificação para a ação. (shrink)

At the end of 2017, Kristen Roupenian’s short story, Cat Person, went viral. Published at the height of the #MeToo movement, it depicted a ‘toxic date’ and a disturbing sexual encounter between Margot, a college student, and Robert, an older man she meets at work. The story was widely viewed as a relatable denunciation of women’s powerlessness and routine victimization. In this paper, I push against this common reading. I propose an alternative feminist interpretation through the lens of Simone de (...) Beauvoir’s notion of narcissism: a form of alienation that consists in making oneself both the subject and the ultimate project of one’s life. Framing Margot as a narcissist casts her as engaging, not in subtly coerced, undesired sex, but rather in sex that is desired in a tragically alienated way. I argue that Beauvoir’s notion of narcissism is an important tool for feminists today – well beyond the interpretation of Cat Person. It presses us to see systematic subordination not just as something done to women, but also as something women do to themselves. This in turn highlights the neglected role of self-transformation as a key aspect of feminist political resistance. (shrink)

Selon Damásio, le moi conscient se crée à partir de la capacité du cerveau à raconter, c’est-à-dire à transformer en récit les signaux et messages produits par ses diverses couches. Les mythes donnent au monde une cohérence significative qui provient de l’organisation des éléments que ses récits produisent. Les rapports au monde de toutes les espèces vivantes sont contenus dans les limites de leurs possibilités phylogénétiques qui résultent déjà d’une relation continuée pendant des millions d’années. La capacité humaine de créer (...) des récits sur le réel doit intégrer ces éléments phylogénétiques qui se manifestent même dans les parties non conscientes du cerveau intégrées pourtant dans le récit qui construit un moi. Ce dépôt venu du fond des âges est une des causes de l’excès de sens que nous poursuivons toujours et qui est, au niveau de l’imaginaire « premier » la voix de ce fonds dans ces rapports avec le texte du monde. Un récit est ainsi une façon de donner à voir l’invisible, et cette invisibilité produit un excès de sens qui cherche toujours à se manifester. Il est marqué par les cohérences et consistances des images de cet imaginaire premier qui médiatise toujours nos relations au monde et aux autres, et auquel s’ajoute les cohérences des imaginaires « seconds » des individus et des cultures. According to Damásio, the self-conscious arises from the ability of the brain to tell, i.e. turn into a story the signals and messages produced by its various layers. Myths give the world a significant consistency that comes from the organization of the elements produced by its stories. The relationships of all living species with the world are contained within the limits of their phylogenetic opportunities resulting from a relationship continued for millions of years. The human ability to create stories about reality must incorporate these phylogenetic elements into the narrative that builds self-awareness. This unknown repository coming from the depths of time is one of the causes of the excess of meaning that we always pursue and is, at the level of the basic imaginary, one that Gilbert Durand considered the heritage of sapiens, the voice of these assets in their links with the text of the world. A narrative is thus a means of seeing the invisible, and this invisibility produces an excess of meaning which always seeks to manifest itself. It is marked by the coherence and consistency of the images of this basic imaginary which always mediates our relationship to the world and to others, and to which is added the coherences of the secondary imaginary coming from individuals and cultures. (shrink)

Originalmente tese de mestrado do autor, este texto faz um diagnóstico da edição digital desde os seus primórdios, focando-se no ebook e nas duas tentativas de criação de um mercado, uma em 1999, falhada, e a mais recente em 2010, ao que tudo indica, fazendo fé nas sucessivas estatísticas, bem sucedida. As razões subjacentes quer ao malogro inicial, quer ao êxito presente são trazidas à liça, dando importância ao contexto italiano, mas cujos argumentos são transversalmente válidos; pelo meio,...

Aesthetic hedonism is the view that to be aesthetically good is to please. For most aesthetic hedonists, aesthetic normativity is hedonic normativity. This paper argues that Kant's third critique contains resources for a non-hedonic account of aesthetic normativity as sourced in autonomy as self-legislation. A case is made that the account is also Kant's because it ties his aesthetics into a key theme of his larger philosophy.

This study covers Vergílio Ferreira’s fiction and essays to show the that phenomenology had in both. Vergílio Ferreira even declares ata certam pomt in his literary and essayist trajectory that the influence of Husserl’s phenomenology was large in his work and especially noticed retrospectively. He who for a long period declared himself a Hegelian who had moved on to existentiabsm via unhappy consciousness will link Hegel to Husserl’s phenomenology revealing a trajectory justifying the coherence of his work.

Fernando Gil estabeleceu uma seminal relação filosófica entre a evidência e a alucinação. Como acentua no Tratado da Evidência, “sem por isso ser, a alucinação não é uma representação, o seu conteúdo é uma coisa-em-si”. As representações da alucinação como evidência e da evidência como alucinação tendem a manifestar-se, em termos literários, no que habitualmente se caracteriza como o fantástico. M. Teixeira-Gomes representou os processos literários da evidência alucinatória em termos que parecem mais próximos do pensamento filosófico de Fernando Gil (...) do que da literatura fantástica propriamente dita, situando no mesmo plano de significação o factual, o mítico e o alucinatório como manifestações complementares daquilo que caracterizou como o seu “teatro da alma”. (shrink)

To respond to globalization‐related challenges, many contemporary political theorists have argued for forms of democracy beyond the level of the nation‐state. Since the early 1990s, however, political theory has also witnessed a renewed normative defense of nationhood. Liberal nationalists have been influential in claiming that the state should protect and promote national identities, and that it is desirable that the boundaries of national and political units coincide. At first glance, both positions—global democracy and nationalism—seem to contradict each other. We do (...) not share this oppositional picture. Developing a more harmonic picture of nationalist ideals and cosmopolitan visions is the aim of this essay. (shrink)

Education aims at the integral development of the person. However, there are few proposals that conceptualize ways to implement this desideratum. In the Portuguese context, we had the paradigmatic case of the Manuel Ferreira Patrício Cultural School. MFP differentiates itself by advocating for integral education that establishes an essential connection between the teaching, extra-lecture, interactive and ecological components of the school, highlighting the multidimensionalities of education: personality, culture, methodologies, curriculum, resources, educators, and pedagogical organization.

This article studies an aspect of the relation between emotions and ethics that is usually neglected in the recent debate on moral emotions. By focusing on the contributions of common or everyday emotions to the development of moral behaviours and attitudes, the debate loses sight of the emotional side of the ethical attitude and the way it involves different, specifically ethical emotions. In contrast, such emotions play an important role in Aristotle’s and Heidegger’s thought. As will be shown, both authors (...) identify emotions that are intrinsically tied to ethics in a broad sense and are structurally different from everyday emotions. Moreover, both characterize the two kinds of emotion in a similar fashion: whereas everyday emotions involve a limited form of activity and refer to a more immediate objective domain, the properly ethical emotions result from a superior form of activity and open up to a vaster domain or even to the entire reality, thus having a metaphysical character. The study of this distinction and what it involves will allow for a better understanding not only of emotions in general, but also of the emotional dimension of ethical life. (shrink)

This article considers the simultaneously passive and active character of moods (Stimmungen) in Heidegger, focussing on two different periods of his thought: the end of the 1920s and the middle of the 1930s. Through the study of the language used by Heidegger, I show that the ideas of passivity and activity are expressed in three different levels of his description of moods: the more concrete level of one’s experience of a mood, the level of philosophical analysis insofar as it is (...) based on moods and deals with moods, and the transcendental or constitutive level of experience. Moreover, I show that in each of these levels passivity and activity are constitutively intertwined and that Heidegger’s conception of moods both in the 1920s and the 1930s can only be understood if we take into consideration the three levels and the way each of them is characterized by both passivity and activity. (shrink)

By Portuguese myths we mean several kinds of narratives, all of which actualize fundamental aspects of the Portuguese national imagination. Some are foundation narratives (Sâo Mamede, Ourique); others are historical facts that were sung so often over the years by Portuguese and foreign poets that they came to signify basic schemes of the human imagination (Inês de Castro's pure love, whose realization was frustrated by a fight between two men, father and son); other so-called Portuguese myths, on the contrary, are (...) built around concepts that give metaphysical shape to supposed characteristics that define the national soul (saudosismo, the doctrine of nostalgia, which attempts to define the Portuguese national soul as the search for a mythical initial unity that would create a wholeness in which contraries would be abolished; the Fifth Empire as its realization on Earth); other Portuguese myths express the supposed divine predestination of the people and of the Portuguese Man, based upon divine intervention in the founding of the nation in Ourique (the Fifth Empire that would be the Age of Spirit announced by Joachim de Fiore); still others are based on historically negative facts (King Sebastian and the defeat at Alcazarquibir) but transformed through archetypal elements to show the capacity for renewal out of the defeat, a renewal that goes beyond real historical renewal to include spiritual renewal of the Portuguese Man and his fatherland, which should produce the Fifth Empire conceived either in earthly or spiritual terms. To these myths I will add a legend preceding the formation of the nation, King Roderick's Legend, because it attempts to justify the loss of Visigothic Spain to the Arabs. (shrink)

Nota Bibliográfica: ROUARD, Christophe. La vérité chez Alasdair MacIntyre. Paris: L’Harmattan, 2011. 254p. ISBN 978-2-296-54736-0.

Abstract: To respond to globalization-related challenges, many contemporary political theorists have argued for forms of democracy beyond the level of the nation-state. Since the early 1990s, however, political theory has also witnessed a renewed normative defense of nationhood. Liberal nationalists have been influential in claiming that the state should protect and promote national identities, and that it is desirable that the boundaries of national and political units coincide. At first glance, both positions—global democracy and nationalism—seem to contradict each other. We (...) do not share this oppositional picture. Developing a more harmonic picture of nationalist ideals and cosmopolitan visions is the aim of this essay. (shrink)

Aesthetic values give agents reasons to perform not only acts of contemplation, but also acts like editing, collecting, and conserving. Moreover, aesthetic agents rarely operate solo: they conduct their business as integral members of networks of other aesthetic agents. The consensus theory of aesthetic value, namely that an item’s aesthetic value is its power to evoke a finally valuable experience in a suitable spectator, can explain neither the range of acts performed by aesthetic agents nor the social contexts in which (...) they operate. This paper proposes a new theory of aesthetic value specifically to explain facts about the sociality of aesthetic agents. (shrink)

The representation of color by pictures raises worthwhile questions for philosophers and psychologists. Moreover, philosophers and psychologists interested in answering these questions will benefit by paying attention to each other's work. Failure to recognize the potential for interdisciplinary cooperation can be attributed to tacit acceptance of the resemblance theory of pictorial color. I argue that this theory is inadequate, so philosophers of art have work to do devising an alternative. At the same time, if the resemblance theory is false, then (...) color depiction has interesting implications for color science. Empirical researchers must rethink the widespread assumption that color recognition requires color constancy. I suggest that a neuropsychological account of color recognition will be instrumental to completing the philosophical task, but by the same token scientists might do well not to proceed without casting an eye to the work of philosophers of art. (shrink)

Jewish Law as Rebellion is unconventional and controversial in its approach to the world of Jewish Law and its response to religious crises. The book delves into the contemporary application and development of halacha and pointedly protests many accepted methods and ideals, offering new solutions to existing halachic dilemmas. Rabbi Cardozo discusses hot topics such as same-sex marriage, conversion, and religion in the State of Israel and presents a critical analysis and explanation of the application of halacha.

Leyendo entre pantallas é uma espécie de livro-guia destinado a ajudar os leitores/utilizadores assoberbados pela complexidade que define a leitura em contexto digital. Subjacente à sua criação está a ideia de as novas tecnologias possuírem, face ao livro tradicional, um problema de mediação: são necessários mais passos para um leitor alcançar aquilo que, em última análise, pretende – o texto. No ambiente digital, a proliferação de dispositivos, sistemas operativos, aplicações ou formatos de...

Pictures enable us to see scenes in marked surfaces. This raises a puzzle—how can an evaluation of a picture as a vehicle for seeing-in differ from an evaluation of the scene itself? To solve the puzzle, we must understand the variety of ways seeing-in relates to seeing a marked surface.

Pictures enable us to see emotions expressed in them. However, these pictorial expressions need not resemble real-world expressions. A picture expresses the emotion that it has a specifically pictorial function of indicating.

Capítulo 9 do livro de Donald Davidson Subjective, Intersubjective, Objective. Oxford University Press, 2001. Tradução de Helder Buenos Aires de Carvalho, realizada originalmente para o Portal Brasileiro da Filosofia/CEFA.

Editorial 10 anos da Pensando - Revista de Filosofia.

Editorial Vol. 9, n.17, 2018 - Pensando: Revista de Filosofia.

A revista Revue Internationale de Philosophie publicou recentemente um número dedicado à filosofia de Alasdair MacIntyre, incluindo artigo dele respondendo às críticas apresentadas no volume por Vincent Descombes, John Rist, Ronald Beiner e James Bernard Murphy.

O artigo discute a relação entre verdade e moralidade na ética das virtudes de Alasdair MacIntyre, apontando para a tensão entre o realismo metafísico-teológico pressuposto em sua virada tomista a partir de Three Rival Versions of Moral Enquiry, e a matriz, a nosso ver, claramente hermenêutico-pragmática de seu modelo da racionalidade das tradições morais de pesquisa racional, explicitado anteriormente em Depois da Virtude e em Justiça de Quem? Qual Racionalidade?.

O artigo busca explicitar, a partir da perspectiva da ética da responsabilidade de Hans Jonas, em um diálogo com a ética das virtudes, que virtudes morais são necessárias como componentes da afirmação jonasiana de cuidado pela vida e pela manutenção da existência da humanidade, mesmo em um futuro próximo, diante da ameaça trazida pela emergência climática — produzida pela própria humanidade em seu modus operandi de intensivo uso das tecnologias como correia de transmissão do capitalismo global —; bem como pelas (...) questões postas pela emergência da pandemia da Covid-19, especialmente pela lida requerida diante de um problema global que ameaça diretamente a vida diante de nossos olhos no presente e em futuros próximos. A pandemia da Covid-19 é um mote para defender a necessidade urgente do cultivo de certas virtudes que dão cumprimento ao princípio responsabilidade, mas também de obtenção de compreensão prévia concreta das enormes dificuldades envolvidas no enfrentamento ético da emergência climática. (shrink)

A empatia, em Edith Stein, é uma vivência que permite o conhecimento do outro, mastambém do “sujeito empatizante”. Pela teoria “do vivenciar completo”, alcança-se nãoapenas um conhecimento da vivência do outro, mas também dos valores subjacentesà sua ação. Através desta teoria, pretende-se responder à proposta levinasiana deuma responsabilidade total, por um lado, e, por outro, de P. Ricoeur, que apresenta anecessidade de uma relação que pense ao mesmo tempo a reflexividade do si mesmo.A empatia permite um modo de constituição personalizadora (...) para os dois sujeitosque mantém, de modo simultâneo, a unicidade e a alteridade de cada um. (shrink)

RESUMO A empatia, em Edith Stein, é uma vivência que permite o conhecimento do outro, mas também do "sujeito empatizante". Pela teoria "do vivenciar completo", alcança-se não apenas um conhecimento da vivência do outro, mas também dos valores subjacentes à sua ação. Através desta teoria, pretende-se responder à proposta levinasiana de uma responsabilidade total, por um lado, e, por outro, de P. Ricœur, que apresenta a necessidade de uma relação que pense ao mesmo tempo a reflexividade do si mesmo. A (...) empatia permite um modo de constituição personalizadora para os dois sujeitos que mantém, de modo simultâneo, a unicidade e a alteridade de cada um. ABSTRACT According to Edith Stein, empathy is an experience that allows for knowledge of the other and of the "empathizing subject". The notion of "full experience" makes it possible to know the experience of the other, as well as the values underlying his/her actions. On the basis of this theory, the article seeks to respond to Levinas' proposal of total responsibility, on the one hand and to P. Ricœur, who argues in favor of a relation that, at the same time, takes into account the reflexivity of the self, on the other. Empathy allows for a personalized mode of constitution of the two subjects, which, simultaneously preserves the singularity and alterity of each. (shrink)

Cognitive evaluations of pictures imply aesthetic evaluations of pictures given the right conception of cognitive evaluation. Knowledge has cognitive value, but so do some personal character traits—intellectual virtues. Pictures foster virtues of perception, and that is part of their aesthetic value.

To evaluate a picture as a picture is to evaluate it with respect to a feature essential to pictures. An aesthetic evaluation of a picture is one which is bound up with perceptual experience. On this account, aesthetic evaluations imply or are implied by cognitive or moral evaluations. The account is anti-formalist.