Results for 'gramar'

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  1. La Idea de una Morfología de la Significación o Gramática Universal en la “4ª Investigación Lógica”: The Idea of a Morphology of Meaning or Universal Gramar in Husserl's “4th Logical Investigation”. [REVIEW]Mario González Porta - 2008 - Cognitio 9 (1).
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    Ética en acción: Antropología y Humanismo en la obra de George Steiner.Rossana Cassigolli - 2013 - Revista de filosofía (Chile) 69:39-49.
    The purpose of this essay is to elucidate the philosophical tools developed in George Steiner’s marvelous body of work. In his writings, he carries on a lucid observation and description of human spirit’s linguistic creation and formulation. His observations do not deviate from the way of a strict ethics inherited from ilustrated spiritual Judaism. His legacy about thought on language and his role as a contemporary culture’s critic leads us to a reflection on our continent and history. As an anthropological (...)
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    La morale diderotienne dans l’Encyclopédie n’est pas où on l’attend.Marie Leca-Tsiomis - 2015 - Cultura:19-30.
    C’est essentiellement dans les articles dits de “grammaire” que Diderot, dans l’Encyclopédie, a énoncé clairement les grands points de sa philosophie et de sa morale et il faut lire ces articles en les reliant les uns aux autres pour faire apparaître leur importance dans l’élaboration de la morale diderotienne.
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    Arena simbólica: a relação entre religião e violência a partir do caso da igreja Assembleia de Deus dos Últimos dias. [REVIEW]Ricardo Bitun - 2014 - Horizonte 12 (34):465-485.
    Based on a case study this article analyzes the (re)building of (neo) Pentecostal religious symbols and a (neo)Pentecostal religious grammar in a context of violence. Therefore, we presented a brief background of the Church of God of the Last Days (Igreja Assembleia de Deus dos Últimos Dias – ADUD) and its charismatic leader, pastor Marcos Pereira, as well as his performance and relations in a territory of extreme violence, with the purpose to contextualize his trajectory. The pastor’s narrative about himself (...)
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