In the early-modern Japanese genre of calligraphy albums called tekagami, fragments of copies of sutras are an outstanding presence, but that presence raises questions about their provenance, condition, status, and significance within such settings. This article delves into these and other questions, with a focus on a set of examples in Tekagamijo, an album in the collection of the Beinecke Rare Book and Manuscripts Library, Yale University. The author suggests that sutra-copy fragments (J. shakyogire) have undergone a transformation or ontological (...) shift that replaces their original sacred character with a new, contextually constructed significance that can best be understood through comprehension of the attitudes of the album’s compilers toward their materials and their task. (shrink)

Inasmuch as Buddhism’s professed goal is the elimination of all attachment to the material world, a pre-occupation with that materiality would immediately strike the disinterested observer as strange, if not improper. Indeed, the monastic tradition eschews engagement with what we colloquially refer to as artistic endeavour, as it detracts from the discipline required to attain the ultimate goal of “snuffing out” the flame that perpetuates suffering (LaFleur 2003, Introduction). Yet, the path to liberation is trodden in the material world, and (...) its manifestations, perceived and processed through the physical senses, are necessary instruments and tools to that end. Cognition of the nature of actions and their fruits can only be achieved by engaging with their manifestations and permutations, using the techniques and disciplines that have been developed in the course of Buddhism’s history. However, the monastic tradition forms but a small part of the Buddhist tradition and the contributions to this volume are concerned in the main with artefacts that circulated outside the cloisters. They present a fascinating purview of how Buddhist ideas and practices circulated in pre-modern Japanese society, showing core beliefs about the Buddhist cosmos and how people from non-monastic walks of life (mainly in the spheres of politics and the aristocracy) availed themselves of that understanding of the world they lived in. (shrink)