Order:
Disambiguations
Jan-Boje Frauen [4]Wulf Frauen [1]
  1.  17
    From Big Brother to the Big Bang: Self, Science, and Singularity in George Orwell's 1984.Jan-Boje Frauen - 2023 - Utopian Studies 33 (3):406-423.
    Abstractabstract:This article examines the connections between social perfectibility and individual identity through George Orwell's famous non-place "Oceania" in 1984 (1949). It is argued that "Ingsoc" Party members see reality filtered through "collective solipsism," which is a mirage that is superimposed upon the material state of affairs in individual perception by the augmentation of every individual's environment with constant feedback from the social superstructure. Thus, perceptions, memories, and possibly even personalities are constructed situationally as fit for the superstructure. Due to the (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  2.  17
    Survival, freedom, urge and the absolute: on an antinomy in the subject.Jan-Boje Frauen - 2021 - International Journal for Philosophy of Religion 91 (1):63-85.
    This article argues against scientistic arguments of the redundancy of religious belief structures due to the explicability of the physical world, as exemplified here by a discussion of the “popular science” of Richard Dawkins and Lawrence Krauss. It is claimed that the root of belief in “sense” is in animation, rather than in cosmological creation myths. The paper displays that the ideal of the absolute is linguistically signified by the termini “survival” and “freedom” in human understanding. However, it does not (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  3.  9
    Turnspits and Other Malenky Machines: Laziness and Cowardice in Burgess’s.Jan-Boje Frauen - 2022 - The Journal of Aesthetic Education 56 (4):79-96.
    Abstract:This article argues that the first-person narrator and anti-hero of Anthony Burgess’s famous dystopia is far from being the symbol for human freedom he has traditionally been taken to be. Quite the opposite, he is to be seen as a symbol for human “self-imposed nonage” at every point of the novel: from his alleged rebellion to his farewell to rape and aggression in the final chapter. All of his apparent acts of freedom are determined by the dynamic interplay of biological (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  4.  7
    Turnspits and Other Malenky Machines: Laziness and Cowardice in Burgess's A Clockwork Orange.Jan-Boje Frauen - 2022 - The Journal of Aesthetic Education 56 (4):79-96.
    This article argues that the first-person narrator and antihero of Anthony Burgess's famous dystopia is far from being the symbol for human freedom he has traditionally been taken to be. Quite the opposite, he is to be seen as a symbol for human “self-imposed nonage” at every point of the novel: from his alleged rebellion to his farewell to rape and aggression in the final chapter. All of his apparent acts of freedom are determined by the dynamic interplay of biological (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  5.  11
    Generationenkollektive: Beschreibungen von Mannheim, Halbwachs und Hansen und der Versuch einer Synthese.Jan-Christoph Marschelke & Wulf Frauen - 2019 - Zeitschrift Für Kultur- Und Kollektivwissenschaft 5 (1):115-134.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark