Abstract

Human attitudes to various nonhuman animals have varied considerably\nacross cultures and throughout time. While some of our responses are\nundoubtedly instinctive and universal-a visceral fear of large\ncarnivores or the feeling of spontaneous warmth for creatures exhibiting\nhigh degrees of neoteny-it is clear that our attitude toward specific\nspecies is largely shaped by our innate anthropomorphism: that is, when\nwe think about animals, we are also thinking about ourselves. There are\nfew better examples of this than the shifting attitudes toward whales\nand dolphins throughout the 20th century, particularly among citizens of\nWestern democracies. This article narrates the cultural history of this\ndevelopment and demonstrates how the current enchantment with whales and\ndolphins is primarily the result of two broad-and related-cultural\ndevelopments: the modern entertainment complex, particularly cinema,\ntelevision, and aquatic theme parks; and the 1960s counterculture, with\nits potent blend of holistic ecology, speculative neuroscience, and\nmysticism. The result was the creation of what we might think of as the\n``metaphysical whale,{''} a creature who has inspired the abolitionist\nstance toward whaling