Abstract

The first selection in this issue is the fullest available biography of G.G. Shpet. Written by his grandson, it is particularly interesting for its attempt to place Shpet in the social and cultural context of his time. There are a number of inaccuracies in it, to which Shpet's daughter by the second marriage, Marina Gustavovich Shtorkh, has drawn attention. Shpet's birthday is March 26, not 25 OS. Shpet's mother did not marry a distant relative; the boy was adopted by her brother, Jan Boleslaw Shpett. She did not welcome her son's second marriage but she accepted it. She registered her son as a Lutheran, rather than a Catholic, because she believed that one's religious faith should be a personal decision and that it would be easier for him later to switch, if he chose to do so, from Lutheranism to Catholicism than vice versa. Shpet's first wife, Mar'ia Aleksandrovna, left the stage by her own decision, not because of his insistence: she thought her acting career was incompatible with raising a family. She was not the sole support of her children and Shpet's mother: he always helped to support them and his mother always worked. She died in September, not in October 1940. In exile Shpet was not always accompanied by a family member and, after his death, at Leonora's and then Marina's apartments.