Abstract

This is among the last turn of the century one of the central figure in French culture: Bergson philosophy of life perspective, to interpret the same period of modern painting as part of research projects. The initial study was the author of "father of modern painting" plugs yet and the real comparative study between Bergson; then have follow-up, respectively, In order to explore the art of movement: Fauvism , stereo doctrine , Yun legal doctrine and the future doctrine theory of representative artists and creative裡in the philosophy of Bergson quality. This adjourned its regardless aims to metaphysics裡"appearance with the really" and the knowledge regardless裡"intuition and management wisdom" of the analysis into the road, explore the stereo doctrine offshoot Ophelia doctrine of the representative artists: De Los inside of the "Bergson style." Hope this closely-related research before and after, can be further described regardless of modern painting and Bergson philosophy, culture and meaning in the same system of interaction and development of the situation; and interpretation in this framework, multi-arts style of modern painting; as distinct from the present work are generally more focused on the analysis of form or out regardless. Henri Bergson's philosophy shares great importance in the late 19 and early 20 centuries in French. This is the point of departure I will take in this article, which constitutes the third part of my modern painting research. The first part of the research started from the issue regarding Cézanne and Bergson. While the second part regarding representatives of Cézanne's successors: Fauvism, Cubism and Rhythmism was also probed. On these grounds and under the same direction, this article moves forward for further research. Namely, I will take the similar approach to interpret Robert Delaunay of Orphism . With these I will show the multiple styles of modern art with Bergsonian viewpoints. Consequently, a principal characteristic of early 20 century European painting could better be interpreted as the multiple formal expressions and innovative developments of "Bergsonian style", or the crystallization of Bergsonian spiritual-positivism