Abstract

Purpose of this paper is the first of Chinese landscape painting theory of "painting landscapes order> of the meaning of implication to conduct analysis and evaluation. This article first period for Wei Jinnan North Korean ideology of the rise of landscape painting to conduct a brief description, the rise of the Han Dynasty at the end of the year judging people by the human relations forensic image of the United States turned to the pursuit, is Northern Wei Jinnan reasons for the rise towards the portrait. But the Metaphysics of admiration for the natural feelings of life and the pursuit of hidden逸, will inevitably lead to the love of the natural landscape, and connected to the landscape of attention. Zong Bing's in this atmosphere, regardless of China's landscape first pioneer. This followed a brief account of these Bingsheng Ping deeds and writings. Then parse contains the structure of aesthetic theory, which includes In order to "taste like clarification of mind," the proposition represented by the United States there regardless, for "landscape" In order to have the nature of the definition; "should head knowing" the on behalf of the arts regardless, involving imagination, proportional control and the "heart", "eye," "hand" of the three in the creation of an integrated sense of communication; "Wan interest financing their nervous thinking" art appreciation regardless, the "horizontal travel" as an art appreciation program, and "smooth nervous" refined appreciation for the art of the highest state. In order to assess the end of this article of aesthetic significance. "The Preface to Landscape Painting" is the first thesis on Chinese landscape painting in history, and this paper is meant to analyze and evaluate its meanings and implications. First, we introduce briefly how the thought about landscape painting rose in the Wei-Jin Northern and Southern Dynasties. The character appraisal that had emerged in the late Han Dynasty was then deflected from the appraisal of human relationships toward the pursuit of the image beauty, which caused the rise of portrait painting in the Wei-Jin Northern and Southern Dynasties. And yet the admiration of nature and pursuit of reclusive life on the part of the Wei-Jin Neo-taoism inevitably led to the love for natural landscapes, which is somewhat connected with the serious attention to landscape painting. It is in such an atmosphere that " The Preface to Landscape Painting "emerged as the earliest writing on Chinese landscapes. Secondly, we present succinctly Zong Bing's life and writings and then analyze the structure of his aesthetic theory in" The Preface. "Here, the thesis of" appreciating images with a pure mind "is an aesthetic ontology that defines the essence of" landscapes ";" appealing to the eyes and reaching the mind "represents a theory of art creation that involves imagination, proportion control, along with the orchestrated correspondence among the" mind, " the "eyes" and the "hand"; "all pleasures incorporated in the divine way of thinking," as a theory of art appreciation, considers "the dream journey" as the process of art appreciation and refines mood of "letting the spirit unfold "into the supreme state of art appreciation. In the end, this article accesses the aesthetic significance of" The Preface to Landscape Painting. "