Abstract

In lieu of an abstract, here is a brief excerpt of the content:LinajeQuan Zhou WuWith “Linaje,” I wanted to explore the fine line between fiction and lies. Fantasy.I attended a workshop on embuste flamenco with artist Mateo Chica in Villanueva del Rosario. Mateo said that embuste is art, “that lie associated with oral flamenco, which is transmitted with a sort of distraction from real time, to be able to immerse oneself in a fun fiction, that leads to another possible place.”Mateo explained to us that there are embustes that endure over time, like the mythical phrase about Lola Flores, “she neither sings nor dances but don’t miss her” from the New York Times that was never actually published, but immensely helped her in her career.“Linaje” is a work that respects orality, the one that happened, and the one that never was. The stories lost for being lost in translation. The stories misunderstood due to our language barriers, and those we collected incompletely due to language interferences. Where, thanks to different artificial intelligences like Stable Diffusion, Dall-E, and Chat-GPT, it has been possible to create that “almost real” universe, perceptible and concrete.But above all, “Linaje” is a question:Where will our memories remain?Once my contract with the web server ends, once my hard drive rusts, my space in the cloud expires, where will this story remain?Who will pick up the pieces of us, those of us who walk as secondary stories in this Western world?What is truth? What is a lie?In this piece, perhaps that does not matter. [End Page 7]Email: [email protected] © 2023 Cornell University...