Abstract

The subject of this study are the architectural and urban planning projects of the scientific town of Pushchino of the USSR Academy of Sciences, developed in the second half of the 20th century. It focuses on high-rise accents planned in the master plans from the 1950s to the 1980s, which, though never realized, played a crucial organizing role in the city's developmental compositions over the years. These "paper" projects significantly influenced the actual architectural ensemble of the city. Specific changes in the creative concepts are correlated with personnel shifts within the team that developed the projects for Pushchino. The dynamics and direction of architectural searches are considered within the broad context of the history of Soviet architecture and are compared with global processes and the positions of architectural theorists and philosophers. The research employs a formal and comparative analysis method, structured historically to segment the creative process into periods that reflect both the subject of the research and the broader historical and architectural context of the era. The scientific novelty of the research lies in the comprehensive analysis of numerous urban planning and architectural projects, gathered through extensive research in state and personal archives. This allowed for the first time to consider the work of architects on the planning projects of Pushchino as a dynamic process, revealing changes that occurred at each of its stages. Through the analysis of the development of “paper” dominants, wandering from project to project, changes in the global urban planning concepts of the city were traced. Consequently, the article provides insights into the development of urban planning in Pushchino, viewed through the lens of high-rise accents. It also paves the way for further research into other aspects of the process, contributing to a more comprehensive and profound understanding of urban architectural development.