Abstract

The main object of this impressive study is to lay the groundwork, in contemporary terms, for a systematic and philosophically respectable "apology for poetry." The author finds that most of the so-called New Critics agree in rejecting both the "sugar-coated pill" and "l'art pour l'art" views of poetry; their efforts to formulate a workable third view form the basis for his elaboration of the requirements of an acceptable theory, one which will accord with--and do justice to--the unique and irreducible aesthetic experience to which poetry gives rise. The details of such a theory, unfortunately, are never made entirely clear, owing in part to the diverse and often conflicting demands which must be met, but its main points are as follows: poems, though mainly self-contained, their meanings determined contextually rather than referentially, yet "reveal life," "illuminate human experience"; in poetic creation, though the poet's intentions somehow control the outcome, yet the language of the evolving poem itself determines its own final nature; and poetry, though it neither merely instructs or informs nor merely pleases, yet does provide a kind of "truth" and does produce an experience in some sense pleasurable. The strength of Mr. Krieger's study lies in the clarity and force with which he states the various issues, and in the scholarly care with which he examines the views of individual critics. The book, however, lacks tight organization and sustained, clearly directed argumentation, and its final outcome is rather inconclusive.--V. C. C.