Michelangelo Pistoletto's Community of Limits

Constellations (University of Alberta Student Journal) 5 (1) (2014)
  Copy   BIBTEX

Abstract

This essay takes a look at the career of Italian artist Michelangelo Pistoletto during the 1960s, seeking to make connections between his work, Italy's shifting social atmosphere and the impetus of youth counterculture at the time. Through the formal analysis of Pistoletto's paintings, sculptures, and performances, the paper culminates in a discussion of the meaning of community and its value in an industrialized world.

Categories

Keywords

Reprint years

DOI

10.29173/cons21383

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 94,045

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Shifting Burdens: The Failures of the Deinstitutionalization Movement from the 1940s to the 1960s in American Society.Ellen Sutherland - 2015 - Constellations (University of Alberta Student Journal) 6 (2).
Arte e messianismo nel pensiero di Hermann Cohen.Ezio Gamba - 2015 - Annuario Filosofico 31:177-207.
The Widening Circle: The Consequences of Modernism in Contemporary Art.Barry Schwabsky - 1997 - Cambridge University Press.
The Limits of Rationalism: Early Modern Geography and the Idea of Europe.Adrian Christ - 2016 - Constellations (University of Alberta Student Journal) 7 (2):80-94.
Artistic Theory in Italy, 1450-1600.Anthony Blunt - 1962 - Oxford University Press USA.
Der Bildner des Übermenschen und der dithyrambische Künstler: Michelangelo und Wagner in Also sprach Zarathustra.Vivetta Vivarelli - 2018 - Nietzsche Studien 47 (1):326-339.
Ut pictura poesis: uma interpretação profética e poética da obra de Michelangelo - DOI: 10.5752/P.2175-5841.2012v10n25p75. [REVIEW]Flávia Vieira da Silva do Amparo - 2012 - Horizonte 10 (25):75-92.
Random Access: On Crisis and Its Metaphors.Pavel Büchler & Nikos Papastergiadis - 1995 - Rivers Oram Press.
Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge.Gerrard Carter - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):63-73.
“The Intersection of Realist Traditions and Modern Experiences in Vincent van Gogh's The Road Menders of 1889”.Heather Shepherd - 2013 - Constellations (University of Alberta Student Journal) 4 (2).

Analytics

Added to PP
2018-11-03

Downloads
11 (#1,149,542)

6 months
6 (#700,858)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references