Abstract

Governmentality is a spatial formation negotiated within historically-constituted political landscapes. In Bangkok, this spatialization of power is manifested in the militarization of urban life and the protocols of security procedure, but also in anti-government protests and an increasingly politicized visual culture. The memory and meaning of the city’s streets exist as an overlooked legibility that challenges the visual strategies of government control. Monuments, travel routes, and other public sites of national recognition now compete in an extended urban arena of images, such as literature and cinema, which re-stage governmentality and the material contours of Thailand’s contemporary political disagreements outside of its institutional norms. I read this intersection between governing and image circulation through the development of a visual economy in Bangkok and depict how different communities—including a bureaucratized military and a populist political party, but also writers and filmmakers—intervene in its circulation. Each group zooms in on key spaces of the city in the attempt to speak to changing forms of governmentality