Abstract

René Girard’s mimetic theory allows for an anthropological recontextualization of ancient Greek literature against the backdrop of biblical texts. The story , dialogue and reflection are the basic forms of mythos and logos, in which man translates and gives shape to his violent origin. Greek drama, which represents the ‘poli-tical’ crisis of human existence, offers a partial deconstruction of the scapegoat mechanism as the hidden foundation of society. On the tragic stage all protagonists are divided and united in a non-decidable dispute – a mimetic-sacrificial non-difference which is decided at the expense of the hero/scapegoat who eventually ‘makes a difference.’Sophocles’ Antigone resists the mythical lie of a decisive difference between the mimetic doubles and enemy brothers Eteocles and Polynices. As a prefiguration of Christ , the tragic heroine Antigone reveals the collective hatred and the unanimous violence against the scapegoat as the bloody foundation of human civilization. Antigone’s ethical ‘an-archy’ and ‘non-in-difference’ remains a blind spot in Heidegger’s and Lacan’s philosophical and psychoanalytical interpretations