Abstract

Those philosophers who are interested in the contemporary philosophy of all countries have come to recognize the importance of the “neo-scholastic” or “neo-thomist” movement. This current of ideas is not least strong in France, owing much at the present time to the work of Jacques Maritain. In this essay I propose to consider neo-thomist ideas in the field of art, limiting myself somewhat arbitrarily to their expression by Maritain and their application to French art throughout the period in which thomism has appeared in “modern dress,” i.e. since 1879, the date of the famous papal encyclical Æterni Patris . This limitation is arbitrary, since in the first place there are living thomists who do not agree entirely with Maritain's interpretation of St. Thomas, and in the second place scholastic principles, if true, must from their nature apply to art as such—Greek, mediaeval, and modern, to say nothing of Oriental and primitive art