Abstract

The title of the article refers to the excessive ideological force deployed in Zionism to foster national and religious unity. As a closed and totalizing system, the Zionist enterprise precludes the representation of minority cultures and has yet to provide, if it ever can, an adequate definition of Palestinians, Mizrahim (Jews of Middle Eastern and North African origins) and other minorities – Karaites, Bedouins and Samaritans – much less one of gender sexuality, religion or personhood. Ironically, it was through the contemporization of Hebrew that a distinctive Israeli society was forged, which set the limits of the imagined geography of the body. Modern Hebrew also produced a hierarchy of different literatures, each with its own ideological parameters of inclusion and exclusion. Paradoxically, as I argue, the cacophonous intertextualiy of the Hebrew canon drowns out the voices of minority Jewish writers, who are ‘relegated to constantly repositioning themselves’ within dominant (Ashkenazi) Israeli culture and society. Eli Bachar and Shelly Elkayam are among the Mizrahi poets I introduce here, whose work powerfully illustrates the colonizing aspects of hunger, eating and feeding through the trope of the ma'akhelet, Abraham's sacrificial knife, as a way to rethink intertextuality.