Abstract

At first sight it might seem that John Locke had about as much to do with the romantic agony as his Whig patricians with working-class radicalism, yet the dialectic of history plays with the logic of ideas, in epistemology and social philosophy alike, to elicit conclusions unexpected by those who enuntiated the premisses. Mr. Tuveson’s careful argument traces the cult, and in some cases the fine frenzy, of communing with the ‘natural sublime’ through the special faculties of moral sense and imagination back to its roots in an empiricism which held that the reason reaches to our impressions of reality rather than to reality itself: as has happened before and since the defects of a dominantly subjective cognition were supplemented from elsewhere. He could have gone back earlier, yet as Aristotle had been ‘the Philosopher’ for the medieval schoolmen so was Locke for the literary men of the eighteenth-century.