Abstract

The concepts “dispositive” and “intermediality” emerged at the same time and are becoming increasingly prominent. In this article, I propose to consider what intermediality brings to the dispositive, based on a case study of the diptych El Otro Lado de la Cama and Los Dos Lados de la Cama, two mainstream films from contemporary Spain in the early twenty-first century. Dispositive theory has been developed in France by academics working in the fields of modern literature and theater at the University of Toulouse, notably Marie-Thérèse Mathet, Stéphane Lojkine, Philippe Ortel and Arnaud Rykner. In the late 1990s, this group adapted Foucault’s concept of the dispositive 2 to the fields of literature and..