Flying stags: icons and power in Thracian art

Purity and power at the Victorian dinner party.Robert Jameson - 1987 - In Ian Hodder (ed.), The Archaeology of contextual meanings. New York: Cambridge University Press. pp. 55--65.

Identifying gender representation in the archaeological record: A contextual study.Liv Gibbs - 1987 - In Ian Hodder (ed.), The Archaeology of contextual meanings. New York: Cambridge University Press. pp. 79--89.

Iconography, sacred and secular: visions of the family'.S. Crawford - 1987 - In Ian Hodder (ed.), The Archaeology of contextual meanings. New York: Cambridge University Press. pp. 20--30.

Value and motivation in prehistory: the evidence for'celtic spirit'.Nick Merriman - 1987 - In Ian Hodder (ed.), The Archaeology of contextual meanings. New York: Cambridge University Press. pp. 111--116.

Bow ties and pet foods: material culture and change in British industry.Ian Hodder - 1987 - In The Archaeology of contextual meanings. New York: Cambridge University Press. pp. 11--19.

Culture and Universal Dialogue.Lilian Karali - 2013 - Dialogue and Universalism 23 (4):181-185.

The Archaeology of contextual meanings.Ian Hodder (ed.) - 1987 - New York: Cambridge University Press.

Moderne Ikonen.Bernadette Collenberg-Plotnikov - 2009 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 54 (2):123-143.

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