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Pulling focus: intersubjective experience, narrative film, and ethics
New York: Continuum (2008)
Abstract
The most powerful films have an afterlife. Their sensory appeal and their capacity to elicit involvement in story, character and conflict reaches beyond the screen to subtly reframe the way spectators view ethical issues and agents. This book questions how cinematic narratives relate to and affect ethical life.Links
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2009-01-28
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Citations of this work
Introduction: Film-Philosophy and a World of Cinemas.David Martin-Jones - 2016 - Film-Philosophy 20 (1):6-23.
Given (No) Time: A Derridean Reading of Denis Villeneuve's Arrival.Gina Zavota - 2020 - Film-Philosophy 24 (2):185-203.
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