Abstract

The “Hyde” character of fear has been so widely, and generally so exclusively, dwelt upon, that a review of what can be truthfully said in praise of its “Jekyll” character is, I trust, not untimely. I shall proceed on the assumption that all the natural passions, with-out exception, are essential, ineradicable factors in our human make-up, each allowing of both use and abuse. This, as I shall endeavour to show, is no less true of fear than of what we quite justly call the higher emotions