Abstract

While studies on literary intermediality are evidently experiencing an upward trend, the poetological key question of how to understand the iconicity of the poetic text, remains mostly unthought. The present study draws up a research program that investigates the question of the image under the conditions of poetic textuality. It thereby creates a notion of the image which disengages itself from the discursive formation of visibility and which is incorporated in a theory of the text beginning with Roman Jakobson. The poetic text is determined as a composite of both iconic poiesis and iconic criticism (Bildkritik).