Abstract

In this article, Lermontov is viewed as one who expresses ideas of humanism not associated with any social class or cast that was typical for the aristocratic period of the Russian culture. The article discusses the situation when the orientation of the democratic criticism—dominant at the time—at the understanding of humanism that had only limited association with a specific class did not contribute to the realization of humanist ideals, leading instead to social disintegration, and a nihilistic neglect of culture and identity.