Abstract

Kant uses incongruent counterparts in his work before and after 1781, but not in the first Critique. Given the relevance that incongruent counterparts had for his thought on space, and their persistence in his work during the 1780s, it is plausible to think that he had a reason for leaving them out of both editions of the Critique. Two implausible conjectures for their absence are here considered and rejected. A more plausible alternative is put forth, which explains that textual absence as a result of the synthetic method of presentation intended for the Critique.