Abstract

In this chapter, I aim to apply the theory and ideas concerning medieval altar triptych painting as a method of reading three heavy metal documentaries. I do this with the primary goal of deepening our understanding of what heavy metal and heavy metal culture is. The triptych is but one form of church altar painting on several panels that dates back to the Byzantine period in Europe, but came into its own in what is identified as Netherlandish triptych painting in the fifteenth century. The triptych refers to three panels painted in a manner whereby the side panels often informed and illuminated a message carried by the central panel. Altar pieces were also painted on two panels or more than three, whereby the outside surface of the triptych panels were painted as well, often leading to a five-paneled piece of art.