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In lieu of an abstract, here is a brief excerpt of the content:130 HISTORY OF PHILOSOPHY statesmen who, for reasons of international politics, would wish this to be so; but if it were so, it would not in itself mean that American philosophy was any better. Although it is a useful literary device to select one theme by which to discuss major figures in a given period, and while the particular theme that Smith has selected is fairly appropriate (once we have reconciled ourselves to the loss of Santayana), it is, I think, a mistake to overlook the diversity that has characterized American philosophic effort from colonial days to the present. But these criticisms, even if just, cannot detract from an extremely wellorganized, beautifully expressed, and immensely readable discussion of four or five American philosophers. Whether there is one spirit or several, its (or theirs) expression in American philosophers has been handsomely dealt with by Professor Smith. GERALD RUNKLE Southern Illinois University The Varieties of Goodness. By Georg Henrik von Wright. (New York: The Humanities Press, International Library of Philosophy and Scientific Method [12], 1963. Pp. xiv + 222. $5.50.) To review this volume critically and adequately is out of the question here; it is a major contribution to the theory of values and deserves to be studied carefully from this point of view. Here we can merely call attention to its historical significance and relation to other classics. It already has won a place in the history of the analysis of the good and should take its place in the series of classics, especially in the series which von Wright himself suggests--the ethical writing of Aristotle, Kant, and G. E. Moore. The relation to Aristotle is most evident and most rewarding, and the following comments are made in order to stress this historical relation. In 1959 and 1960 the author delivered the Gifford Lectures at St. Andrews and entitled them "Norms and Values, an Inquiry into the Conceptual Foundations of Morals and Legislation." This volume contains the second series, the one on values; the first, on norms, is to follow. The fact that the lectures on norms came first and this publication on values comes first is philosophically significant. A system of ethics, according to von Wright, is a body of normative concepts whose aim is practical rather than theoretical. But this volume, he insists, is not a system of ethics but an inquiry into how judgments of value are true or false. This conceptual analysis of the good lays a "conceptual foundation" for a theory of norms. Values and norms are definitely distinguished and given independent analyses. The transition from BOOK REVIEWS 131 an analysis of the varieties of goodness to the theory of norms is indicated in the last three chapters (VIII, 'good' and 'must'; IX, Duty; X, Justice), but the theory itself is to come in the second volume, based on the first series of the Gifford Lectures. Both volumes are intended as "conceptual analyses": instrumental value, technical excellence, beneficence, hedonic good, good man, good action, etc. --these varieties of good are treated here not as "states of affairs" but as concepts (p. 91). Though the general range of subject-matter is similar to that of Aristotle's Ethics, von Wright wishes to be clear in distinguishing between the concepts or judgments of goodness and the actual affairs of morals and legislation, a distinction which is ambiguous in Aristotle. Subjectmatter for Aristotle is "'legomena" and in practical or teleological sciences (such as is the case of this volume) the legomena (things-said) become in effect prolegomena. But for von Wright a philosophical analysis should concern itself not with the arts of morals and politics themselves but solely with their "conceptual foundations." The notion that practical affairs have conceptual foundations (not mere formulations) is characteristic of contemporary analysis and would probably be repudiated by Aristotle, who was careful to keep legomenaand phenomena intimately related; if either were foundational to the other, the arts themselves and not their concepts or "verbalizations " would be the basic factor. It is significant that even in von Wright's meticulous analysis, the distinction between the concepts and the affairs conceptualized is less evident in the later chapters, and the problems of the true...