Abstract

In the 1960s, environmental designer, Lawrence Halprin, in collaboration with his wife Ann, choreographer and artistic director of the San Francisco Dance Workshop, engaged in an examination of group creativeCreativity processes in search of a theory outlining their main features. He formalized his findings in the 1968 book, The RSVP Cycles: Creative Processes in the Human Environment describing a recursive schema of iteration and evaluation bearing striking resemblances to the conversationalConversation conception of second-order cybernetics. Devised TheatreDevised theatre is one of the fields that has been most directly influenced by, and most vividly reflects, the work of the Halprins and will serve as the “researchResearch site” for this chapter. Highlighting some prevalent features of contemporary Devised TheatreDevised theatre practice through examples drawn from some of the field’s most influential artists, our trip around the cycle will reveal the ways in which the RSVP Cycles reinforce, in a robustly enacted fashion, Ranulph Glanville’sGlanville, Ranulph cybernetic conception of design in which lack of controlControl, trans-computableTranscomputability complexityComplexity, and under-specification of the problems investigated all become virtues that propel us on a conversationalConversation forward search in which we must “actActing in order to understandUnderstanding” while bound by a deep ethicalEthics commitment to the autonomy of others.