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On the Philosophy of Central European Art: The History of an Institution and Its Global Competitors
Lexington Books (2020)
Abstract
This book is an introduction to the history of art as an institution, from its development in Central Europe to its global expansion through colonialism and diaspora. It considers how the class, gender, and race of artists function to challenge highbrow notions of art and develops the concept of nobrow as a way to democratize art in the future.
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