Abstract

Descartes's Dioptrics is more than a mere technical treatise on optics; it is an essay in the "practical philosophy" that he claimed could render us "masters and possessors of nature." Descartes's practical intent is indicated first by the instrumentalist character of his derivation of the sine law of refraction, which is based on a heuristic and readily mathematizable model that requires no consideration of light's "true nature." Descartes's subsequent discussion of human vision is an extended critique of nature's workmanship that grounds the possibility of improving vision by artificial means. I suggest that this critique is the source of Descartes's doctrine that the purpose of sensory perception is to preserve the mind-body composite, not to provide knowledge of the essential nature of things. Accordingly, the ultimate goal of the Dioptrics is to "master" human vision by raising it from a mere means of self-preservation to an instrument of scientific knowledge.