Abstract

The examination of power, space, and identity formation within diasporic literature has garnered significant attention due to the escalating global mobility of migrants across the world. This article studies the complex integration of spatial hierarchy, civil violence, and gendered responses to power representations in Jhumpa Lahiri’s novel, The Lowland (2013). We utilise Henri Lefebvre’s theories to dissect the spatial dynamics of the novel across three dimensions: representations of space and conceived space, spatial practice and perceived space, and representational space and lived space. Lefebvre’s framework is instrumental in understanding how physical and conceptual spaces can simultaneously serve as tools for domination and sites for transformative resistance. The novel weaves distinct spatial realms, such as the exclusive Tolly Club and the diminishing lowland, to symbolise postcolonialism and state control. The findings highlight how conceived space is portrayed as a postcolonial realm marked by violence and gendered spatial injustice, reflecting male dominance and societal norms that suppress female subjectivity. However, the study also reveals that this conformity is not static but showcases the agency of female characters like Gauri and Bijoli in resisting and renegotiating spatial constraints.