Perception and meaning in serial music

Journal of Aesthetics and Art Criticism 22 (1):55-61 (1963)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,296

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The theory of unconscious perception in music: A phenomenological criticism.Alfred Pike - 1967 - Journal of Aesthetics and Art Criticism 25 (4):395-400.
Music and Meaning: A Theoretical Introduction to Musical Aesthetics.Gordon Epperson - 1973 - Journal of Aesthetics and Art Criticism 31 (3):407-409.
Music criticism and musical meaning.Patricia Herzog - 1995 - Journal of Aesthetics and Art Criticism 53 (3):299-312.
Meaning and music.Donald W. Sherburne - 1966 - Journal of Aesthetics and Art Criticism 24 (4):579-583.
Music and Meaning.Jenefer Robinson - 1998 - Journal of Aesthetics and Art Criticism 56 (3):314-316.
The power of music and Whitehead's theory of perception.F. David Martin - 1967 - Journal of Aesthetics and Art Criticism 25 (3):313-322.
Emotion and Meaning in Music.Julius Portnoy - 1957 - Journal of Aesthetics and Art Criticism 16 (2):285-286.
Music, meaning, and emotion.David Carr - 2004 - Journal of Aesthetics and Art Criticism 62 (3):225–234.
Meyer, meaning, and music.John M. Titchener & Michael E. Broyles - 1973 - Journal of Aesthetics and Art Criticism 32 (1):17-25.
Sound and Symbol, Music and the External World.Charles E. Gauss - 1956 - Journal of Aesthetics and Art Criticism 16 (2):286-287.

Analytics

Added to PP
2009-01-28

Downloads
5 (#1,562,871)

6 months
21 (#133,716)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

No references found.

Add more references