Abstract

Normal 0 21 false false false ES-CO X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Calibri","sans-serif"; mso-bidi-font-family:CalistoMT;} In this work, the symposiarch first submits to the audience a likeness of the shadows created by light effects, by mimes and by representations of the sacred. He begins with the name itself of the invited god, and with a narrative of the myths referring to the genealogy, diaspora, epidemics and epiphanies and the Dionysius’s festival calendar; secondly, he continues with a description and analysis of the Dionysian festivals and mysteries and thirdly, he ends with an etiology of the socio-political needs linked to the cult and to the possible entheogens responsible for mystic-religious experiences of the ecstatic bacchantes