Two books on Thomas Hobbes

Journal of the History of Ideas 60 (2):361-371 (1999)
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In lieu of an abstract, here is a brief excerpt of the content:Two Books on Thomas HobbesPerez ZagorinQuentin Skinner, Reason and Rhetoric in the Philosophy of Hobbes (Cambridge: Cambridge University Press, 1996), xvi, 477p.The Correspondence of Thomas Hobbes, ed. Noel Malcolm, 2 vols. (Oxford: Clarendon Press, 1994), lxxxv, 1008p.The literature on Hobbes in English and other European languages has grown so large in the past two decades that it has become almost unmanageable by students of the philosopher. No one who is interested in Hobbes, however, can afford to overlook the two books that are reviewed here, the first, Quentin Skinner’s study of the relationship of Hobbes to rhetoric, and the second, Noel Malcolm’s edition of Hobbes’s correspondence.Skinner is well known not only as a leading British Hobbes scholar and historian of early modern political thought but likewise for his ideas concerning the correct method of studying the history of political philosophy. In a view akin to R. G. Collingwood’s he maintains that there are no permanent or perennial questions in political philosophy and that a historical approach based on a thorough comprehension of context is the only way to grasp what political philosophers are doing and saying when they write their texts. In implementing this prescription, he argues that to understand a historical text it is necessary to reconstruct its author’s intentions and the meaning of his ideas by ascertaining the linguistic conventions and usages and the intellectual currents and back-ground that form its context. He offers the present study both as an exem-plification of this method and as a new interpretation of the principles of Hobbes’s political philosophy which takes rhetoric as its focal theme. His aim, he tells us, is to situate Hobbes’s theory and practice of civil science within its intellectual context and to depict the philosopher less as the author of a philosophical system than as a contributor to a series of debates about the moral sciences within Renaissance culture. Our judgment of the success of his work will accordingly depend on whether or not we are satisfied that rhetoric possessed for Hobbes and his philosophy the crucial significance that Skinner claims for it [End Page 361].In recent years a number of scholars have discussed Hobbes’s attitude to rhetoric, and there have been at least two books on the subject. 1 Commensurate, however, with its ambitious goal of proffering a new interpretation of Hobbes’s work on politics, Skinner’s treatment of his involvement with rhetoric is much richer and far more learned than preceding studies. By rhetoric most people nowadays mean no more than a writer’s literary strategy, but this is not what Skinner intends by the term. He deals with rhetoric precisely as Hobbes would have understood it and in the sense it bore in the ancient world and the Renaissance, when it signified a major discipline of knowledge concerned with the various figures of speech and devices of language that constituted an art of persuasion and eloquence indispensable in the education of the orator, the statesman, the writer, and the gentleman.Skinner perceives Hobbes’s mind as formed in the early years of his career by his classical education and immersion in the literary-rhetorical culture of English Renaissance humanism derived from Greco-Roman antiquity and ancient authors on rhetoric like Aristotle, Cicero, and Quintilian. Starting from this point, he pictures Hobbes’s intellectual evolution as consisting of three successive stages: a humanist, a scientific, and a scientific-humanist. In the first, as a late Renaissance intellectual, Hobbes’s initial interest in politics as a civil science was shaped by his involvement in the humanistic disciplines of rhetoric, history, poetry, and moral and political philosophy. The result was the publication in 1629 of his English translation of Thucydides’ History, with the observations contained in his introduction. In the second stage he turned against the literary-rhetorical character of Renaissance culture and its approach to politics. This shift, which occurred in the 1630s, was caused by his discovery of the geometrical method, his pursuit of his scientific interests through his association with Sir Charles Cavendish and his friends, and his introduction to the Parisian scientific circle of Marin...

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