Abstract

According to Froula, Paradise Lost is aimed at affirming or reaffirming the power of orthodox authority, by locating its source in an invisible being beyond understanding or question. In this respect, Milton’s own authority is analogous to that of the metaphorical priest in the Virginia Woolf passage quoted at the beginning of Froula’s essay, who can claim a direct connection, presumably derived from the laying on of hands, with this original authority to which the rest of us have no access. It is an odd analogy: Milton and a priest. It sorts very badly with everything we know about Milton, who was dedicated to the eradication of formal instutitional authority in favor of freedom of conscience. What is more important, such a view sorts oddly with the working of Paradise Lost itself.If we try to read Paradise Lost as an attempt to affirm orthodox authority by mystifying it, we run immediately into some major problems well before “Hee for God only, shee for God in him.” The first of these problems is Satan, who is, as we all know, in many ways an impressively heroic figure. Satan directly affirms the autonomy that Eve is said to be made to repress in the story she tells of her creation in book 4. This Satanic affirmation, moreover, is also made to depend upon a creation story. In book 5, responding to Abdiel’s argument that he owes gratitude to God for his creation, Satan says that he doesn’t remember any time when he was not as he is. The notion that God created him is, Satan declares, a “strange point and new” . If Milton’s purpose in the poem is the affirmation of authority, why has he made the proponent of autonomy and rebellion into such an impressive figure? Edward Pechter, associate professor of English at Concordia University in Montreal, is the author of Dryden’s Classical Theory of Literature and is currently completing a book on Shakespeare and contemporary theory