- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Emblem and Expression: Meaning in English Art of the Eighteenth Century
Journal of Aesthetics and Art Criticism 35 (1):99-101 (1976)
Abstract
This article has no associated abstract. (fix it)My notes
Similar books and articles
Earls of Creation: Five Great Patrons of English Eighteenth-Century Art.James Lees-Milne - 1965 - Journal of Aesthetics and Art Criticism 24 (1):128-129.
Eighteenth-Century Aesthetics and the Reconstruction of Art.Paul Mattick - 1994 - Journal of Aesthetics and Art Criticism 52 (4):489-490.
Ronald Paulson, Representations of Revolution.David Carrier - 1983 - Journal of Aesthetics and Art Criticism 42 (2):223-225.
The Art of Biography in Eighteenth Century England.Donald A. Stauffer - 1942 - Journal of Aesthetics and Art Criticism 2 (5):57-58.
Transformations in Late Eighteenth Century Art.Robert Rosenblum - 1968 - Journal of Aesthetics and Art Criticism 26 (4):560-561.
What is an emblem?Elizabeth K. Hill - 1970 - Journal of Aesthetics and Art Criticism 29 (2):261-265.
Meaning and Expression: Toward a Sociology of Art.Jeanne C. Wacker - 1974 - Journal of Aesthetics and Art Criticism 33 (2):234-235.
The Object of Art: The Theory of Illusion in Eighteenth-Century France.David Carrier - 1983 - Journal of Aesthetics and Art Criticism 41 (4):455-456.
What Is An Emblem?Elizabeth K. Hill - 1970 - Journal of Aesthetics and Art Criticism 29 (2):267-284.
Affective values in later eighteenth-century aesthetics.Wallace Jackson - 1965 - Journal of Aesthetics and Art Criticism 24 (2):309-314.
Analytics
Added to PP
2015-02-02
Downloads
45 (#344,502)
6 months
1 (#1,722,767)
2015-02-02
Downloads
45 (#344,502)
6 months
1 (#1,722,767)
Historical graph of downloads
Citations of this work
Kunstautonomie und Ende der Ikonographie Zur historischen Problematik von ‘Allegorie’ und ‘Symbol’ in Winckelmanns, Moritz’ und Goethes Kunsttheorie.Bernhard Fischer - 1990 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 64 (2):247-277.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6686886f5-5pqs9 uwo